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The Beuron School and Liturgy
Novák, Pavel ; Kotas, Jan (advisor) ; Opatrný, Aleš (referee)
Subject of my work is the Beuronese art and its relation to the liturgy. The first part concerns generally the beuronese confederation, its foundation, historical development and expansion. The piece draws the creation and the basic solutions of the confederation, coming of the Beuron Art School as an individual style, and presents the most important beuronese performers. The study also surveys the main works of the Beuron Art School and evaluates the School's influence on the main art streams of the period. The work then tries to describe and clarify the relationship between the beuronese conception of sacral art and liturgy using examples of the two most important Prague beuronese monasteries. For this purpose it analyses so called beuronese "Gesamtkunstwerk", using knowledge of the Christian iconography.
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The Monastery of Svatá Dobrotivá
ŠMEJKALOVÁ, Jana
The author will deal with the building history and the description of architecture of the Augustinian monastery of St. Dobrotivá with the Church of the Annunciation to the Blessed Virgin Mary and St. Dobrotivá in Zaječov. Furthermore will be the author focused on history of the sacred building, especially from the epoch of foundation through plundering during the Hussite wars and subsequent effort to reconstruct this building in the end of the 15th century, repeated decline of architecture in the 16th century to resurrection in the epoch after the Battle of White Mountain. The text will also deal with the not very well known cult of St. Benigna, whose relics were transported to the monastery from Rome. The next focal point of this work will be the sculpture of St. Dobrotivá, which was used as a reliquary of relics and is currently on loan in the National Gallery in Prague. Last but not least the author will focus on analysis of the moveable art of the church. This moveable art comes from the 18th and partly from the 19th century and consists of hanging paintings and altars. In the church there are also paintings from J. P. Molitor and J. Matthauser. The purpose of this work is to point out the existence of the monastery itself. Apart from the history of the monastery the author would like to summarize the current research of a not very well known saint and to explore the existing movable art in the monastery temple.
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Ignaz Fr. Platzer's designs of sculptural for the church Annunciation to the Blessed Virgin Mary in Teplá
Kopecká, Zuzana ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
This work deals with Platzers family, especially with Ignac Frantisek Platzer, from his workshop were preserved an incredible amount of sketches and drawing, for which has not been given sufficient attention so far. Out of a large number of masterpieces conserved in the National Gallery of Prague, will be processed just the part connected with monastery in Teplá where for the church Annunciation to the Blessed Virgin Mary was made a complete sculptural decorations by his workshop. Keywords Ignaz Franz Platzer, Premonstrates, Tepla, the church Annunciation to the Blessed Virgin Mary, 18th century drawing, baroque sculpture, baroque drawing, the National Gallery of Prague
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The Beuron School and Liturgy
Novák, Pavel ; Kotas, Jan (advisor) ; Opatrný, Aleš (referee)
Subject of my work is the Beuronese art and its relation to the liturgy. The first part concerns generally the beuronese confederation, its foundation, historical development and expansion. The piece draws the creation and the basic solutions of the confederation, coming of the Beuron Art School as an individual style, and presents the most important beuronese performers. The study also surveys the main works of the Beuron Art School and evaluates the School's influence on the main art streams of the period. The work then tries to describe and clarify the relationship between the beuronese conception of sacral art and liturgy using examples of the two most important Prague beuronese monasteries. For this purpose it analyses so called beuronese "Gesamtkunstwerk", using knowledge of the Christian iconography.
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